My name is Brett. I´m a college-educated man who was once a husband of 26 years with two children, three businesses, and a large home with an actual white picket fence. I´m also a drug addict. And I have a tale to tell. My story has everything: sex, death, pain, atheism, God, jail, marriage, divorce, heresy, homosexuality, physics, traffic fatalities, computer science, video games, cinnamon toothpicks, Barry Manilow, Nine Inch Nails, pornography, breasts, used tampons, strippers, venereal disease, abortion, prostitutes, AIDS, racism, suicide, infidelity, public nudity, anti-Semitism, marijuana, alcohol, pawn shops, drug dealers, needles, acid, ecstasy, crack, heroin, pain pills, withdrawal, interventions, rehabs, product tampering, road rage, vandalism, elderly abuse, grave desecration, arson, identity theft, burglary, armed robbery, and murder. But more importantly, it´s about the despair of addiction and the absolute certainty that it can be overcome. Recovery is not simply abstinence, but a process of growing up. I spent my entire life searching for the key to long-term sobriety. I would like to share with you what I have learned. 1. Language: English. Narrator: Ryan Turner. Audio sample: http://samples.audible.de/bk/tant/010682/bk_tant_010682_sample.mp3. Digital audiobook in aax.
Versandkosten 2,99 EUR, ab 20,- EUR versandkostenfrei. Für schöne, kräftige Nägel Speziell für weiche, brüchige Nägel geeignet, basiert die Wirkung auf der Wiederherstellung von Eiweißmolekülen in der Hornschicht. Geschädigte Nägel werden gestärkt und vor Einrissen und Splittern der Nagelspitzen geschützt. Schon nach kurzer Anwendungszeit ist spürbar, dass die Nägel fester und widerstandsfähiger werden. Anwendung: An 2 aufeinanderfolgenden Tagen jeweils eine Schicht NAIL REPAIR auftragen. Am 3. Behandlungstag mit NAIL REPAIR REMOVER alle Schichten entfernen und die Behandlung wie am 1. und 2. Tag wiederholen. Die Kur sollte 2?3 Wochen durchgeführt werden. Anschließend empfiehlt es sich, NAIL REPAIR 1x wöchentlich als Unterlack zu verwenden.
Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don´t worry about agents; they don´t want to talk to you). Nail your dialogue. Really. Now I know you´ve heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can´t. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they´re both total bullcrap. Yes, when learning how to write a movie you want to focus on structure and plot. And you don´t want dialogue-heavy scenes where characters sit in coffee shops for three pages. But dialogue is the ONE PART of movie scripts that readers, producers, story editors and development exectuives will absolutely read. The same can´t be said for your scene description. I know, that breaks your heart. (You spent hours working on your lean description of a car chase involving nuns on mopeds). But when skimming, and lots of script readers skim, dialogue is the most efficient/easiest way to do it. So if it´s so important how he heck do we get you better at it. 1. Language: English. Narrator: Greg Zarcone. Audio sample: http://samples.audible.de/bk/acx0/012240/bk_acx0_012240_sample.mp3. Digital audiobook in aax.
I guess I was lucky. I’m a writer, not very successful. But my luck came from the lotto win of nearly three-quarters of a million. I’m in my late 40s and on my own. I was planning on making a home in Spain but keeping a small property here, too, as a fallback. I hadn’t told anyone about my win and I hadn’t gone wild. I’d bought a cheap, small car and a bigger investment. Just over $10,000 on a secondhand cabin cruiser. It was nearing time to go to Spain on an exploration trip where I hoped to find a property. Nothing expensive. I needed a marina for my boat, a place that was lively, but not a drunken, wild destination. I would write there and maybe would strike lucky with that. I wanted a place overlooking the beach and sea and within walking distance of shops and cafes. But that was the future. Right now, I was down on the coast back home where I had a mooring in a marina. I was here a lot. I was getting to know the local shops and cafés now after a few weeks. I’d started taking my dirty washing home when I went but was soon using the local laundry wash. I’d found a couple of really friendly cafés, and the local boat yard had become a wealth of information and store for supplies and equipment. The Laundry Service was a self-service place, a row of washing machines opposite several commercial driers. It was simple. I wasn’t rushed for time, so I would sit and wait. Gave me time to think about my day and what I would be doing. Kay ran it with her daughter. They would take dirty washing, put it through the process, and even iron for a modest amount. Some days, they were really busy, and on others, they sat and chatted. Usually, there was just one of them there except on Mondays and Fridays, which seemed the busiest. It was a Wednesday, and Kay came and sat with me. She was slim, but not skinny. She must have been at least 38, as Penny, her daughter, had just turned 19. But she looked about 28 years old. Kay was blon 1. Language: English. Narrator: Jim Masters. Audio sample: http://samples.audible.de/bk/acx0/131957/bk_acx0_131957_sample.mp3. Digital audiobook in aax.